For another update at Jeshimoth Entertainment, three new releases are available in the catalog, a new Jute Gyte review is in, and new artists are expected to leave their mark in the Jeshimoth dungeon of sound.

Up first, Pumpkin Buzzard’s highly anticipated summery pop journey Mantis Antler has dropped. Chock full of energetic tunes, each track’s tempo increases by 10 beats per minutes; starting at 70 BPM and climaxing at a skull crushing 300 BPM. Mantis Antler is an album you must experience for yourself.

Jeshimoth also welcomed The Word… a limited Mini-CD release from artist Chefkirk whose discography encompasses harsh noise from vegan perspective. The complete title follows:

The word "veganism" denotes a philosophy and way of living which seeks to exclude — as far as is possible and practical — all forms of exploitation of, and cruelty to, animals for food, clothing or any other purpose; and by extension, promotes the development and use of animal-free alternatives for the benefit of humans, animals and the environment. In dietary terms it denotes the practice of dispensing with all products derived wholly or partly from animals.

This single track offering from Chefkirk takes the listener into a high-frequency holocaust of intense noise for over 20 minutes.

Jute Gyte is back with Arakan, his second full-length album featuring eccentric electronic compositions combining his previous work in noise and dark ambient with IDM and ethereal synthesizers. Spastic beats, thorough glitching, and haunting drones collide for a unique blend of melancholy, despair, and uncertainty fit for a lonely, rainy night.

Jute’s last solo release, Where We Go When We, received another positive review from the folks over at Heathen Harvest. Here’s an excerpt:

"Working within the framework of the ’noise’ genre, with faint flecks of drone and ambience thrown in, Jute Gyte employs the tactic of bombarding the listener with a constantly mutating melange of sounds constructed and destructed at will. The waves of electronically produced manipulations an overpowering attack on the senses. Wild hallucinogenic static, bass deep rumbles and screeching squalls surge and pore forth from the speakers with the sole aim of disorientating and pulverising the listener into submission."

Read the rest of the review here.

We will be adding some more content to site in the future, including lyrics for all applicable releases, an ’about’ page, and possibly even a Jeshimoth media player to shuffle a playlist of tracks from the catalog, so stay tuned.

Here’s a recent review of Jute Gyte’s Mini-CD release Where We Go When We from the Blastbeats for Freedom Webzine:

"Holy Shit! What was that?! Oh, it was just the the opening crackle of the new Jute Gyte 3" CD-R. Don’t ever put CDs of classical music in a CD changer right before a noise CD. The changeover isn’t pleasant and the differences in mastering levels is usually pretty drastic. Jute Gyte is Adam Kalmbach. Adam uses computer, guitar and voice to construct epic noise pieces. This particular piece is a 23 1/2 minute excursion into the finer points of distortion, crackle, and distortion. Jute Gyte seems to have somehow harnessed the power of ocean waves crashing and managed to run it through a few distortion pedals. Not full on "HARSH(!)" but maybe I’m not listening to it loud enough. It maintains a "medium-harsh" dynamic that I really like and the mastering job is superb. It’s loud without being too loud and the EQ is boosted in all the right frequencies. I’ll bet there was a genorous amount of overdubbing/editing in the creation process, not that that’s a bad thing. I myself have been guilty of letting the overdubbing spiral out of control. The cover is beautifully laser printed on nice paper and stuffed in a slim 3" jewel case. Nothing extravagant but it’s still a very professional looking package."

Reviews can now be viewed in the album detail page below the track list.

After a summer of hard work, we’ve got several new releases out and more on the way.

Now two albums in, we’ve kicked off a series of releases specifically for Mini-CD suited for material under 24 minutes. The inaugural mini-album is Where We Go When We, a disgusting sonic adventure produced by Jute Gyte.

Following this solo release, Jute joins noise scene notable Griz+zlor in a destroying collaboration of harsh noise to produce Colossus of White Tar.

Both mini-albums are available now in the Jeshimoth Catalog. Up next for the series is some new material from Chefkirk. Check back later for more info on this third release.

As usual, Pumpkin Buzzard have long list of projects in the works. Most current is the upcoming release of Mantis Antler, an experimental pop/rock collection of 24 tracks topping 77 minutes.

More on that album including a full description and some free downloads will be available within the next week or so. Next for them will be Potborski Zastavka, continuing the traditional uninhibited rocking of Horse Machine. Potborski Zastavka’s successor has already been recorded as well and is now in the post-production process. Pumpkin Buzzard’s website has also just been through a complete renovation, so check it out at www.jeshimoth.com/pumpkinbuzzard. While you’re there, check out the results from the latest GearFight held via the SongFight message boards. Fellow SongFighters were challenged to cover their favorite PB tune available on somesongs resulting in some great interpretations.

At least 4 more albums from Pumpkin Buzzard are in production or nearing completion as of now and a new full-length Jute Gyte release is on its way, so stay tuned for more updates.